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Hughen | Starkweather

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Visual artists Hughen/Starkweather create abstract artworks about specific topics and locations

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Hughen | Starkweather

  • Current Work
  • Series
  • Sculpture
  • Video
  • Commissions
  • News
  • About
 Armored Against Hazards, ink, pencil and gouache on wood panel, 16x16x1.5 inches, 2017

Shifting Shorelines

In the multi-year project, Shifting Shorelines, Hughen/Starkweather investigate places where water meets land, and the complex human, environmental, and historical factors that shape these areas. Similar to early cartographers dependent on inconsistent tools and word-of-mouth information from fellow travelers, the artists follow a meandering trail of data, images, maps, and oral histories. The resulting drawings and paintings reinterpret the complex narratives of landscape, creating new and unexpected forms through which to view a place, its history, and its possible futures. 

Before beginning the artworks, the artists research scientific data, current and historical maps and photographs, and conduct personal interviews with community members including local residents, cartographers, fishermen, farmers, poets, marine biologists, educators, environmentalists, botanists, historians, geologists and storytellers. In the resulting abstract artworks, the artists include hints of the source materials, including recognizable landforms, topographies, data systems, and built structures. The artworks compress past and future, hard data and soft voices. The artworks do not offer solutions, but hope to prompt new perspectives on the difficult topic of climate change.

A brief summary of how we work can be seen here in a 3 minute video that was made for an installation on climate and the Anthropocene at the recent Venice Architectural Biennale. Additional information about our process can be found here.

Works from this series have been shown at the Public Policy Institute of California; University of California, Berkeley; University of San Francisco; and the Bolinas Museum, among other places. Additional works from this series can be seen elsewhere on this site. 

Hughen/Starkweather is comprised of San Francisco artists Jennifer Starkweather and Amanda Hughen. Their work explores the layers, complexities, built systems, and natural movements of specific locations. They begin by researching a place using historic and current maps, data, photos, and personal interviews. The resulting artworks are abstract, but contain visible traces of the source materials, revealing forms unique to the location.

Shifting Shorelines

In the multi-year project, Shifting Shorelines, Hughen/Starkweather investigate places where water meets land, and the complex human, environmental, and historical factors that shape these areas. Similar to early cartographers dependent on inconsistent tools and word-of-mouth information from fellow travelers, the artists follow a meandering trail of data, images, maps, and oral histories. The resulting drawings and paintings reinterpret the complex narratives of landscape, creating new and unexpected forms through which to view a place, its history, and its possible futures. 

Before beginning the artworks, the artists research scientific data, current and historical maps and photographs, and conduct personal interviews with community members including local residents, cartographers, fishermen, farmers, poets, marine biologists, educators, environmentalists, botanists, historians, geologists and storytellers. In the resulting abstract artworks, the artists include hints of the source materials, including recognizable landforms, topographies, data systems, and built structures. The artworks compress past and future, hard data and soft voices. The artworks do not offer solutions, but hope to prompt new perspectives on the difficult topic of climate change.

A brief summary of how we work can be seen here in a 3 minute video that was made for an installation on climate and the Anthropocene at the recent Venice Architectural Biennale. Additional information about our process can be found here.

Works from this series have been shown at the Public Policy Institute of California; University of California, Berkeley; University of San Francisco; and the Bolinas Museum, among other places. Additional works from this series can be seen elsewhere on this site. 

Hughen/Starkweather is comprised of San Francisco artists Jennifer Starkweather and Amanda Hughen. Their work explores the layers, complexities, built systems, and natural movements of specific locations. They begin by researching a place using historic and current maps, data, photos, and personal interviews. The resulting artworks are abstract, but contain visible traces of the source materials, revealing forms unique to the location.

 Armored Against Hazards, ink, pencil and gouache on wood panel, 16x16x1.5 inches, 2017

Armored Against Hazards, ink, pencil and gouache on wood panel, 16x16x1.5 inches, 2017

  Incineration , ink and acrylic paint on paper, 10w x 8.25h in., 2017

Incineration, ink and acrylic paint on paper, 10w x 8.25h in., 2017

  High Tide Mark  , Ink, gouache, acrylic paint on paper, 42 x 53.5 in., 2017

High Tide Mark , Ink, gouache, acrylic paint on paper, 42 x 53.5 in., 2017

 Hughen/Starkweather interview Mark Mir, archivist, and Antoni Ucerler, historian, at the Ricci Institute map library, as part of research for Shifting Shorelines

Hughen/Starkweather interview Mark Mir, archivist, and Antoni Ucerler, historian, at the Ricci Institute map library, as part of research for Shifting Shorelines

  Hybrid , Ink and pencil on paper, 42 x 44.5 inches, 2017

Hybrid, Ink and pencil on paper, 42 x 44.5 inches, 2017

  Erode , Ink and pencil on paper, 40 x 60 inches, 2017

Erode, Ink and pencil on paper, 40 x 60 inches, 2017

 Hughen/Starkweather,  Ocean Beach (Dean Rader) , 34x30”, ink, pencil, and gouache on paper, 2015

Hughen/Starkweather, Ocean Beach (Dean Rader), 34x30”, ink, pencil, and gouache on paper, 2015

  Narrow Channel , Ink, pencil, and gouache on paper, 42 x 70 inches, 2017

Narrow Channel, Ink, pencil, and gouache on paper, 42 x 70 inches, 2017

 Hughen/Starkweather,  Brackish  (from  Shifting Shorelines ), ink, gouache, and pencil on paper, 14 x 22 in., 2015

Hughen/Starkweather, Brackish (from Shifting Shorelines), ink, gouache, and pencil on paper, 14 x 22 in., 2015

  Nuisance Flooding , ink and pencil on paper, 42x75 inches, 2017

Nuisance Flooding, ink and pencil on paper, 42x75 inches, 2017

 Hughen/Starkweather,  Surge  (from Shifting Shorelines), ink, gouache, and pencil on paper, 25x25 in., 2015

Hughen/Starkweather, Surge (from Shifting Shorelines), ink, gouache, and pencil on paper, 25x25 in., 2015

 Hughen/Starkweather, Poipu (Mark Mir), 32.25x29.25”, acrylic paint, ink, and gouache on paper, 2016

Hughen/Starkweather, Poipu (Mark Mir), 32.25x29.25”, acrylic paint, ink, and gouache on paper, 2016

 Hughen/Starkweather , Seawall  (from  Shifting Shorelines ), ink, gouache, and pencil on paper, 16x14 in., 2015

Hughen/Starkweather, Seawall (from Shifting Shorelines), ink, gouache, and pencil on paper, 16x14 in., 2015

  Adapt, Retreat, Defend, Abandon , Acrylic paint, ink, and gouache on paper, 41.25 x 72 in., 2017

Adapt, Retreat, Defend, Abandon, Acrylic paint, ink, and gouache on paper, 41.25 x 72 in., 2017

 Hughen/Starkweather,  Subject to Reclamation  (from  Shifting Shorelines ), Ink, gouache, and pencil on paper, 22x60 in (diptych), 2015

Hughen/Starkweather, Subject to Reclamation (from Shifting Shorelines), Ink, gouache, and pencil on paper, 22x60 in (diptych), 2015